Oklahoma Film Equipment Rental & Camera Rental Services
Includes the Angenieux Optimo Style 25-250 T3.5, 16-40mm T2.8 and 30-76mm T2.8.
The Style series from Angenieux is fully compatible with the latest generation of digital cameras. These lightweight zooms were designed for 4K resolution and higher and will even cover full 6K on Red Dragon sensors. All with beautiful Angenieux glass!
Includes the Angenieux Optimo Style 16-40mm T2.8 and 30-76mm T2.8.
The Style series from Angenieux is fully compatible with the latest generation of digital cameras. These lightweight zooms were designed for 4K resolution and higher and will even cover full 6K on Red Dragon sensors. All with beautiful Angenieux glass!
Angenieux’s newest addition to the Optimo Style series of professional zoom lenses, the 25-250mm T3.5 reaches back to the classic HR focal length but with a high-quality modern twist. The new 25-250mm is designed to perform with little to no breathing, aberrations, or distortion on a Super35 format sensor up to 31.5mm (diagonal). This lens is optimal for 4K projects and beyond.
The Style series from Angenieux is fully compatible with the latest generation of digital cameras. This lightweight zoom was designed for 4K resolution and higher and will even cover full 6K on Red Dragon sensors. All with beautiful Angenieux glass!
The Style series from Angenieux is fully compatible with the latest generation of digital cameras. This lightweight zoom was designed for 4K resolution and higher and will even cover full 6K on Red Dragon sensors. All with beautiful Angenieux glass!
Includes the Angenieux EZ-1 30-90 and EZ-2 15-40 T2, both lenses allow the rear lens group to be exchanged between S35mm and FF/VistaVision format. In VistaVision format the lenses become an EZ-2 22-60 T3 and EZ-1 45-135mm T3.
The Angenieux Type EZ-1 for S35mm cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal.
The Angenieux Type EZ-2 for S35mm cameras is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 15-40mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 22-60mm F2.8/T3 covering an image circle up to 46mm diagonal.
Angenieux Optimo 24-290mm (12-1) T 2.8 includes: 1 – Arri Bridge Plate 2 – 24″ Rods 1 – 17
Angenieux HR 25-250mm (10-1) T 3.5 includes: 1 – Arri Bridge Plate 2 – 17″ Rods 1 – Donut
Designed for use with full-frame, large-format sensors, the versatile ARRI Signature Primes also cover Super 35. Dedicated LF Open Gate, and Super 35 Open Gate magnetic format masks enable you to switch between formats, and are included with the lens. Stockings, nets, and voile can be used for diffusion when mounted in the Signature Prime’s rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing.
The ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.
Canon’s CN20 50-1000mm Cine-Servo PL Mount zoom lens is a unique zoom that covers an unbelievable range. Use the built-in extender to reach 1500mm! The perfect lens for live-events, sports, & nature, or any job that demands a super versatile zoom.
The Cine-Servo 17-120mm T2.95 with PL mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be at home when being used by a solo camera operator or a full production cr
The lenses in this kit provide image coverage for full frame and Super 35mm sized sensors. The kit includes 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, and 135mm T2.2 lenses. The lenses are designed to deliver edge-to-edge sharpness and brightness. Each lens features an 11-bladed iris and incorporates dual focus markings on each side of the barrel. The lenses all share a consistent form factor, the same 114mm front barrel diameter, gear position, and rotation angle across the set.
Single lenses include the 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, and 135mm T2.2 lenses. Each lens features an 11-bladed iris and incorporates dual focus markings on each side of the barrel. The lenses all share a consistent form factor, the same 114mm front barrel diameter, gear position, and rotation angle across the set.
Canon’s EF series lenses are designed for use with EOS digital camera systems. The f/2.8 Canon Zooms feature Ultra-low Dispersion glass with Fluorite elements for crystal clear image production and superb color matching. This bundle covers a wide array of focal lengths, from 16mm all the way to 200mm. Add our optional Canon EF 2x Doubler for use with our 70-200mm L Series and make your overall focal range 16-400mm!
With their fast apertures and sharp optics Canon L Series Zooms are a great low budget option for your project. Available in the following focal lengths: 16-35mm, 24-70mm, 70-200mm, 24-105mm
The Canon EF 2x Extender III is Canons newest teleconverter for use with Canons L series telephoto lenses. The Extender III provides a two times extension of your lenses current focal length, while only reducing the amount of light by one stop. This Extender is perfect for use with our Canon EF 70-200mm f/2.8 L series lens.
The new Cooke SF Full Frame anamorphics bring the anamorphic look you have been looking for to the full range of large format digital cameras. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. With special flare elements and cooke/i technology put these lenses to work today.Available at additonal cost: 85 Macro and 180mm (coming soon)
Create your own custom set with pricing @ $600/day/lens with a 3 lens minimum.
Included in standard set: 32, 40, 50, 75, 100, and 135mm T2.3
Looking for that classic Cooke look? Check out our Cooke SF Anamorphics. The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory. Our set contains the: 25mm, 32mm, 50mm, 75mm, and 100mm.
Now you can give your project the Cooke Look!
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. The 6-Lens set comes with: 18mm, 25mm, 32mm, 50mm, 75mm, 100mm, all T2.
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted us to introduce a modern redesign of the vintage classic. We are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses. The 7-Lens set comes with: 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, all T2.2 (100mm T2.6).
Cooke 20-100mm (5-1) T 1.3 includes: 1 – Arri Bridge Plate 2 – 17″ Rods 1 – Donut 1 – 6.5″
This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens from DZO consists of two lenses. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer diameter, making for fast lens swaps.The lenses hold focus throughout the focal length range and feature matching 16-blade irises. This bundle includes a durable protective case for transport and storage.
The Pictor 20-55mm Super35 Zoom Lens from DZO provides coverage of an extended zoom range with a relatively fast maximum aperture. Pictar zooms cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer diameter, The lenses hold focus throughout the focal length range and feature matching 16-blade irises.
The Pictor 50-125mmT2.8 Super35 Zoom Lens from DZO provides coverage of an extended zoom range with a relatively fast maximum aperture. Pictar zooms cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer diameter, The lenses hold focus throughout the focal length range and feature matching 16-blade irises.
The Fujinon Premier PL Cabrio 4K lenses offer uncompromising quality and an unprecedented level of flexibility. With their powered servos and tack sharp optics they are a perfect combo for your next project.
The new Fujinon Cabrio Version 2 features a sharper image over the old Version 1 and is also a true 4K lens. The Version 2 Fujinon Cabrio’s are the sharpest Cabrio available.
The Cabrio 85-300 is Fujinons newest most versatile lightweight zoom. It features the same quality engineering as the Arri/Fujinon Alura and Fujinon Premier Series of lenses.
The Fujinon MK 18-55 is a fantastic, lightweight cinema zoom specifically designed for the Sony E-Mount. Basically a mini Fuji Cabrio. Pair it with the MK 50-135 and have an optimal lens pair to shoot your next project.
The Fujinon MK 50-135 is a fantastic, lightweight cinema zoom specifically designed for the Sony E-Mount. Basically a mini Fuji Cabrio. Pair it with the MK 18-55 and have an optimal lens pair to shoot your next project.
The new Kowa Evolutions are optically based on the original Kowa Anamorphic lenses from the 1970s. World renowned for their unique image characteristics the new Kowa Evolutions offer the same classic images but with much improved housing and mechanics.
Included in set: 40mm T2.4, 50mmT2.4, 75mm T2.5, 100mm T3.2
Such a unique cinema lens, you’ll seek out new ways to shoot and frame thanks to the ultra close focus of the Laowa 24mm probe lens. It’s small f/14 aperture provides an impressive depth of focus even at focus immediately in front of the lens.
The Lensbaby Composer is an easy to use low budget option for tilt focus imaging. The Composer is equivalent to a 50mm with a f-stop of f/2.
Allowing highly adaptive/creative focusing effects get that stylized tilt-focus look with any PL Mount Camera.
Rent these three Sony G-series lenses to fit perfectly with the FX9 using the native E-Mount. Combining these three lenses together will help you achieve the look you need, the coverage area you want, at a price you can afford!
A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM Lens is a wide-angle to short telephoto lens designed for E-mount mirrorless cameras. Featuring a constant f/2.8 maximum aperture, this lens maintains consistent performance throughout the zoom range and benefits working in low-light conditions and with selective focus techniques.
A fast and flexible wide-angle zoom, the FE 16-35mm f/2.8 GM Lens from Sony is a wide-angle zoom designed for full-frame E-mount mirrorless cameras. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions.
Boasting exceptional optics, a complete feature set, and outstanding speed in all aspects, the Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations.
Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability.
Zeiss Supreme Primes Radiance build on the legendary Zeiss history of creating the finest lenses for cinema. The original Supreme Primes are workhorses of full-frame cinematography, working in conjunction with Cameras like the Sony Venice, Alexa Mini LF, and RED Monstro, to create sharp but flattering and skin tones, a clean neutral color palette, and small compact size. Each lens is quite fast at T1.5.
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
The Zeiss Compact Zoom CZ.2 Lenses with EF or PL Mount are a zoom lens set that are optimized for motion picture production. The lenses offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housings feature calibrated focus scales and industry standard gearing for focus, iris and zoom.
Get the most out of your footage with these trusted Zeiss Classics. Just sharp enough with a fast T1.3 aperture enabling low light shooting & shallow depth of field for selective focus. The perfect lenses if you are looking for that classic Carl Zeiss look.
Our Zeiss CP.3 lenses includes four primes for cinematography. The CP.3 collection improves on the CP.2s with an updated form factor, improved mechanics, and better lens coatings. They maintain the same full frame coverage, focus/iris gear positioning, and length of the prior models but the front lens diameter has changed from 114mm to 95mm (which is consistent among all CP.3s) and the 14-blade iris was upgraded to 15 blades.
The 4 lens set includes the 15mm, 25mm, 50mm, and 85mm focal lengths.
Zeiss’ high-end SLR glass in cine-style housing. CP.2 share a standard front diameter, standard focus & iris gears, and 14 blade symetrical iris for smooth out-of-focus areas & great bokeh effects. Comes in 18, 21, 25, 28, 35, 50, 85, and 135mm. Equipped with either PL or EF Mount.
7 Lens Set Includes 18, 21, 25, 28, 35, 50 & 85mm.
The Zeiss 28-80mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a standard zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom.
The Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens with PL Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom.
These vintage cinema lenses are incredibly fast and produce stunning imagery.
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